07/22/17

“Let Right Be Done!”

A classic film’s lesson in liberty

July 21, 2017

May I recommend one of my candidates for the Ten Greatest Movies list—The Winslow Boy? What the 1948 British film (not David Mamet’s 1999 remake) has going for it is a brilliant director, Anthony Asquith—who ranks with such luminaries as Carol Reed, Alfred Hitchcock, John Huston, or Jean Renoir—and a stellar cast, which includes some of the most skilled actors in movie history, from Cedric Hardwicke on down, all at the top of their form. But above all these advantages, the movie’s animating spirit is its script, by Terrance Rattigan and Anatole de Grunwald from Rattigan’s play, which grippingly dramatizes a principle at the very heart of Anglo-Saxon liberty—a principle that today’s America badly needs to relearn.

The Winslow Boy–and his father

The story, set in 1912—when director Asquith’s father, H. H. Asquith, was Britain’s Liberal prime minister, and World War I was brewing—is simple, and it won’t spoil the movie for you if I sketch its outline. Twelve-year-old Ronnie Winslow gets expelled from Osborne, the prestigious boarding school for cadets headed for Royal Navy commissions, for allegedly stealing five shillings. Though the sum is trivial, the alleged breach of the code of officers and gentlemen is not. His father, Arthur, a newly retired Wimbledon bank manager played by Hardwicke, solemnly asks him if he is guilty—twice—and when the boy twice asserts his innocence, his father, who raised him to tell the truth, vows to vindicate the boy’s honor, whatever the cost.It proves immense. In his quest, which lasts until after Ronnie turns 14, Arthur sacrifices his health, much of his savings, and the happiness and future of his solidly respectable and eminently likable upper-middle-class family. He meets obstacles at every point. The school’s commandant tells him that, as he had no doubt of Ronnie’s guilt after hearing the details of the theft, he has no second thoughts about summarily expelling the boy, without any formal procedure or even someone to advise Ronnie or speak in his defense. He won’t reconsider the evidence or say what it was. A visit to the Admiralty Commission to threaten a lawsuit gains Arthur only a haughty declaration that he needn’t bother: a subject of the king can’t sue the king’s representatives, for the law holds that the king can do no wrong.

True enough, his solicitor tells him; but nevertheless Magna Carta, the thirteenth-century charter of English liberties, declares that “no subject of the King may be condemned without a trial,” so perhaps Arthur should ask his MP to denounce the wrong done to Ronnie in Parliament. Good advice: for the MP, seeing a chance to win favorable press as a defender of justice, is glad to oblige. Reporters readily take the bait and make the Winslow case a national cause célèbre.

The uproar catches the interest of Sir Robert Morton, England’s most eminent—and expensive—barrister, masterfully played by Robert Donat as a complex mix of eloquence, cold hauteur, ruthless intelligence, and deep but hidden feeling, a legal version of Jane Eyre’s Mr. Rochester. Morton drops in at the Winslows’ house on his way to dinner with a duchess, politely introduces himself, and mercilessly cross-examines Ronnie, until the boy stammers with confusion and his family (along with the audience) wonders if he’s been telling the truth. But after such browbeating, the great man abruptly announces that he’ll take the case, for he thinks Ronnie is innocent. Continue reading

02/21/16

Liberty—If You Can Keep It

 

 

Yes, it does demand eternal vigilance.

MYRON MAGNET
Winter 2016
auschwitz

 

The gates of Auschwitz—with their demonic jeer, “Work Makes You Free”—led to history’s vilest demonstration of everything freedom isn’t.

Isn’t a sexual revolution a kind of revolution?” a Soviet dissident, the grandson of one of Stalin’s henchmen, asked me rhetorically in the mid-1970s. Recently released from five years’ Siberian exile, he certainly knew what slavery and tyranny were. But now, he wondered, couldn’t the waning of Russia’s sexual constraints be the harbinger of wider liberty? After all, he asked hopefully, “Isn’t sexual freedom, freedom?”

It didn’t turn out that way. So impoverished was the Soviet empire that it couldn’t give its subjects the bread and circuses that pacified imperial Rome’s populace; so, to the cheap vodka drastically shortening Russian life spans, it added lascivious license. Drunken stupor; moments of voluptuous rapture: that’s escape, not liberty. Continue reading

07/4/15

The Vision of the Founding Fathers

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What kind of nation did the Founders aim to create?
By Myron Magnet — July 3, 2015

Men, not vast, impersonal forces — economic, technological, class struggle, what have you — make history, and they make it out of the ideals that they cherish in their hearts and the ideas they have in their minds. So what were the ideas and ideals that drove the Founding Fathers to take up arms and fashion a new kind of government, one formed by reflection and choice, as Alexander Hamilton said, rather than by accident and force?

Signing of the Declaration of Independence, John Trumbull

Signing of the Declaration of Independence, John Trumbull

The worldview out of which America was born centered on three revolutionary ideas, of which the most powerful was a thirst for liberty. For the Founders, liberty was not some vague abstraction. They understood it concretely, as people do who have a keen knowledge of its opposite. They understood it in the same way as Eastern Europeans who have lived under Communist tyranny, for instance, or Jews who escaped the Holocaust. Continue reading

05/30/15

Magnet School

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THE CORNER
THE ONE AND ONLY.
by JAY NORDLINGER May 27, 2015 2:36 PM
My Impromptus today is kind of unusual. (I know, no different from the norm.) What are the least overrated places you know? In other words, places about which the hype is true. And what are the most overrated? I brought up this topic a couple of weeks ago, and, today, I report reader responses. One of those responses is this: Least overrated: Mount Vernon. Warm, approachable, understandable. Most overrated: Monticello. As much as I love Jefferson, his home leaves me cold, especially when compared with Mount Vernon.
I brought this opinion — this pairing — to the attention of Myron Magnet. Why? Well, Myron knows about everything. But he is especially knowledgeable in this area, as the author of The Founders at Home: The Building of America, 1735-1817. He was good enough to write a comment, which I’m so pleased to share with you.
The “reader’s comparison surprised me,” he begins. “In truth, both houses are profoundly moving to visit, haunted as they are by spirits of the great statesmen and amateur architects who, as a lifetime hobby, spent years planning, building up, repairing, perfecting these outward embodiments of their inner vision of the kind of domestic life they were building a nation to make possible. By contrast with your correspondent, in politics I love Washington, while the only Jeffersonian political principle I agree with is that all men are created equal. So I like the Burkean approach Washington took to enlarging and improving Mount Vernon, not altering structures that worked fine as he added new and improved sections of the house. The result is a house that, for all its attempts to look classically symmetrical, is endearingly lopsided, with the rooftop lantern 18 inches off center, and a different number of windows under each half of the pediment over the entrance portico. Jefferson, by contrast, is a rationalist’s rationalist, with the plan of Monticello an endlessly interesting, complex, but always symmetrical puzzle of abstract geometrical shapes forming a brilliantly harmonious whole. Well, I like rationalism — in architecture, if not in politics, where it led Jefferson to his monstrous views on the French Revolution. There is however one truly disturbing thing about Monticello, and that’s the care and trouble Jefferson took to hide the economic reality of slavery that supported the whole operation, putting the service wings half-underground and devising ways to bring food and wine into the dining room without a human being having to carry it in. I suppose one should give him credit at least for being ashamed of slavery. As Dr. Johnson said of that proto-Darwinian, the Scotch judge Lord Monboddo, who believed that men were descended from monkeys, If one has a tail, one should take pains to conceal it; but Monboddo flaunts his with pride.”

Read more at: http://www.nationalreview.com/corner/418942/magnet-school-jay-nordlinger

12/20/14

How Private Philanthropy Saved the Founders’ Homes

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Autumn 2014

How Private Philanthropy Saved the Founders’ Homes
Mount Vernon and Monticello nearly vanished.

Every day for the last 200 years, boats gliding along the wide Potomac have blown their horns or clanged their bells as they pass Mount Vernon, in festive tribute to the estate’s revered creator, George Washington. The tradition began, legend has it, when Admiral George Cockburn, sailing back from torching the city of Washington in the War of 1812, tolled his flagship’s bell as he passed Mount Vernon in 1814, though whether as a chivalrous salute to the memory of an officer of world-historical genius or as a sarcastic taunt after burning the city that bore the great general’s name legend doesn’t say.

What is certain is that one such foghorn blast on an autumn night in 1853 startled a South Carolina lady returning home by steamer from Philadelphia, and she came up on deck to see what the commotion was about. In the bright moonlight, she saw the cause all too plainly: Mount Vernon—but a Mount Vernon moldering into ruin, its veranda sagging, its untended lawns waist-high. “I was painfully distressed at the ruin and desolation of the home of Washington,” Louisa Cunningham wrote to her daughter. “It does seem such a blot on our country!”

That letter set in motion an extraordinary drama of historical preservation that will seem almost incredible to the 1.1 million visitors each year who see today’s superb Mount Vernon, sparkling with reverent care and bustling not just with tourism but with world-class scholarship. And the same is true of the 440,000 annual visitors to Thomas Jefferson’s Monticello, also designed, like Mount Vernon, by an amateur-architect Founding Father and embodying in concrete form its builder’s deepest longings and ideals. (See “Monticello’s Shadows,” Autumn 2007.) The home of the author of the Declaration of Independence—perhaps America’s most beautiful house—was once similarly falling into ruin, before being saved in the most unexpected, almost operatic, way and transformed, like Mount Vernon, into one of the nation’s premier private philanthropies.
mount vernon in ruins
It’s sagging porch propped up by poles, Mount Vernon was moldering into ruin before an all-women charity restored its original luster.COURTESY OF THE MOUNT VERNON LADIES’ ASSOCIATION Continue reading

10/18/14

The Last Founding Father

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Books and Culture
MYRON MAGNET
The Last Founding Father
Richard Brookhiser’s new biography of Lincoln is splendid.
17 October 2014

LIBRARY OF CONGRESS, RARE BOOK AND SPECIAL COLLECTIONS DIVISION, ALFRED WHITAL STERN COLLECTION OF LINCOLNIANA

LIBRARY OF CONGRESS, RARE BOOK AND SPECIAL COLLECTIONS DIVISION, ALFRED WHITAL STERN COLLECTION OF LINCOLNIANA

Founders’ Son: A Life of Abraham Lincoln, by Richard Brookhiser (Basic Books, 376 pp., $27.99)

Unlike those mega-biographies that bury their subject’s chief accomplishments under 900 pages of undigested detail, Richard Brookhiser’s compact, profound, and utterly absorbing new life of Abraham Lincoln, Founders’ Son, leaps straight to the heart of the matter. With searchlight intensity, it dazzlingly illuminates the great president’s evolving views of slavery and the extraordinary speeches in which he unfolded that vision, molding the American mind on the central conflict in American history and resolving, at heroic and tragic cost to the nation and himself, the contradiction that the Founding Fathers themselves could not resolve. Continue reading

06/22/14

Liberty or Equality?

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Myron Magnet
Liberty or Equality?
The Founding Fathers knew that you can’t have both.
Spring 2014
With the fulminating on the left about inequality—“Fighting inequality is the mission of our times,” as New York’s new mayor, Bill de Blasio, summed up the theme of his postelection powwow with President Barack Obama—it’s worth pausing to admire anew the very different, and very realistic, modesty underlying Thomas Jefferson’s deathless declaration that all men are created equal. We are equal, he went on to explain, in having the same God-given rights that no one can legitimately take away from us. But Jefferson well knew that one of those rights—to pursue our own happiness in our own way—would yield wildly different outcomes for individuals. Even this most radical of the Founding Fathers knew that the equality of rights on which American independence rests would necessarily lead to inequality of condition. Indeed, he believed that something like an aristocracy would arise—springing from talent and virtue, he ardently hoped, not from inherited wealth or status.

In the greatest of the Federalist Papers, Number 10, James Madison explicitly pointed out the connection between liberty and inequality, and he explained why you can’t have the first without the second. Men formed governments, Madison believed (as did all the Founding Fathers), to safeguard rights that come from nature, not from government—rights to life, to liberty, and to the acquisition and ownership of property. Before we joined forces in society and chose an official cloaked with the authority to wield our collective power to restrain or punish violators of our natural rights, those rights were at constant risk of being trampled by someone stronger than we. Over time, though, those officials’ successors grew autocratic, and their governments overturned the very rights they were supposed to protect, creating a world as arbitrary as the inequality of the state of nature, in which the strongest took whatever he wanted, until someone still stronger came along.

In response, Americans—understanding that “kings are the servants, not the proprietors of the people,” as Jefferson snarled—fired their king and created a democratic republic. Under its safeguard of our equal right to liberty, each of us, Madison saw, will employ his different talents, drive, and energy, to follow his own individual dream of happiness, with a wide variety of successes and failures. Most notably, Federalist 10 pointed out, “From the protection of different and unequal faculties of acquiring property, the possession of different degrees and kinds of property immediately results.” That inequality would be a sign of the new nation’s success, not failure. It would mean that people were really free. Continue reading

12/9/13

Tom Paine’s Two Radicalisms

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And their consequences—for his era and ours
Autumn 2013

On November 30, 1774, a 37-year-old Englishman—an ex-privateer, ex–corset stay maker, ex–tax collector (fired twice for dereliction of duty), and ex-husband (also twice over)—arrived in Philadelphia with a letter of recommendation from Benjamin Franklin in his pocket. The old philosopher’s praise was understandably restrained. This “ingenious worthy young man,” Franklin wrote, would make a useful “clerk, or assistant tutor in a school, or assistant surveyor.” Four months later, however, the shots that rang out at Lexington and Concord galvanized the newcomer’s hitherto aimless life into focus and purpose. “When the country into which I had just set foot was set on fire about my ears, it was time to stir,” he recalled. “It was time for every man to stir.” And so, adding a final “e” to soften the surname he was born with, he began to write under the byline “Thomas Paine.” Continue reading

11/10/13

Jefferson the Architect

Jefferson was a passionate and highly informed amateur architect, who carefully studied the buildings of France, including the Roman Maison Carrée in Nîmes:

MaisonCarrée

Virginia State House

He used the Roman building as his model when he drew up his plans for the Virginia State Capitol, designed in 1786, while he was serving as U.S. minister to France.

An early view of the Virginia State Capitol

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

It was completed in 1788, before he returned to America.

 

 

 

 

 

 

 

 

His first sketch of Monticello was much more Palladian than the version we have now.

Jefferson's first sketch for Monticello

Here is a floor plan of the perfected version. If you click on each room, you will see a photograph of it, with some commentary on its furnishings, from the estimable Thomas Jefferson Foundation.

Link to Monticello Virtual Tour.

Monticello'sClock

Among the many brilliant technological innovations he employed in the house, here is the amazing clock he designed, with one face visible outside, on the facade, and the other inside, above the hall doorway. The technological marvel: the works must make each hour hand (there was no minute hand on the outer face) move in the opposite direction.

 

 

 

 

 

 

 

 

But when Jefferson’s fame drew swarms of uninvited visitors to Monticello, sometimes he would retreat to his remote and barely accessible lodge, Poplar Forest, a masterpiece in it own right, built from 1806 until his death 20 years later, near what’s now Lynchburg:

Poplar Forest

 

 

 

 

 

 

 

 

 

 

 

 

 

 

And of course he was the architect, in both the literal and figuarative sense, of the University of Virginia in Charlottesville, where he intended each pavillion of the campus to be a concrete example of a different style of classical architecture. These are his original 1814 drawings for some of the buildings.

The centerpiece of his plan was a remarkable classical library, the Rotunda.

Rotunda

The University of Virginia's Rotunda and Pavilions IX & X, 1823

It was flanked by ten pavilions, and Pavilion IX is shown here to the left and Pavilion X to the right.

Pavilion and dormatories

Designed for economy but envisioning expansion as needed, the plan called for the pavilions to be flanked by identical dormitories on each side, situated around three sides of a square and all connected by covered walkways. A chinoiserie railing recalls the treatment of the wings at Monticello. Each pavilion was to serve as a concrete illustration of an architectural style. (University of Virginia Library)

Pavilion II

 

 

 

 

 

 

 

 

 

 

 

 

 

Pavilion II draws upon the Ionic order of the Roman Temple of Fortuna Virilis depicted in Andrea Palladio’s Four Books of Architecture.

Pavilion VI

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pavilion VI

Pavilion VII

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pavilion VII combined suggestions from architect William Thornton with Jefferson’s own ideas for the first pavilion, basing its order on the Doric of Palladio. Its cornerstone was laid on October 6, 1817.

Pavilion IX

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Pavilion IX

(University of Virginia Library)

 

 

 

 

 

 

 

And here is an early view of The Lawn, as he called it:

University of Virginia

Finally, here is a plan of the University. If you click on the image below, you’ll find a virtual tour of Jefferson’s lawn today. Just click each pavilion for a photograph.

Click here for virtual tour of the University of Virginia lawn today

08/12/13

Monticello

Thomas Jefferson, architect and statesman, designed America’s greatest house.
Please click each image to enlarge it and view its caption.